Features

Even as you read these words, the Worldwide Readings Project is actively encouraging theatres, acting companies, and amateur and professional

Mohammad Reza Aliakbari in Tehran on the State of Theatre in the Nation Evidence from Iranian life shows that professional

Renaissance, the most recent project of the European Theatre Convention, gave participating theatres a chance to imagine the post-pandemic world

Lawrence Bommer in Chicago How Lockdown Taught Me How to Talk about Theatre to Extra-terrestrials   When they come, we

Perform Europe: A Report by Dana Rufolo The report on the European Theatre Forum in the Winter 2020 issue of

Daniel Nicolai on English Theatre Frankfurt Daniel Nicolai, Frankfurt-born, studied visual communication and worked for a decade for contemporary ballet

Featured earlier on this website, the translation by John Freedman of the protest play Insulted. Belarus and an accompanying account

Claudia Funder on Eyam and what she describes as “the Winter of Our (Australian) Discontent”.   A highlight of the

A Tale of Two (European Cultural Capital) Cities told by Claudia Woolgar Impossible to imagine: you work for years on

The making of Insulted. Belarus: John Freedman on How Revolution in Belarus Sparked a New Approach to Political Theatre I

The European Theatre Forum: A Report by Dana Rufolo Under the auspices of the German EU Council Presidency, the first

During the pandemic, correspondents for Plays international & Europe were obliged to focus on different national reactions to the pandemic-driven

Claudia Woolgar on the European Capitals of Culture Last year the European Commission denied Britain its right to become a

Dana Rufolo at the Passion Play in Erl, Austria The Passion Play in Erl, Austria, of this year [2019] is

Theatre in Cluj-Napoca, Romania Dana Rufolo reports on this year’s [2018] Centennial Theatre Festival which celebrates Romanian literature and warns